“No one moment is most important. Any moment can be something.” -Garry Winogrand
Each year, at the end of August, I find myself growing restless, and not just because I am anxious for fall weather. What is a Bluestocking girl to do when the world is in a Back-to-School frenzy, and she is now an alumnus? Can anything provide her with as much satisfaction and joy as the annual purchase of new pens, notebooks, and planners? With as much exhilaration as the prospect of another year of gained wisdom and intellectual stimulation?! It was in just such a restless August mood that I went to the Garry Winogrand exhibit at the MET.
Going to the MET is one of my go-to quintessential New York outings. When I want to feel like a real New Yorker, in the classy sense rather than the I’ve-been-waiting-on-the-subway-platform-for-20-minutes-in-90-percent-humidity sense, I know I can’t go wrong there. And after 5 years living in Manhattan, I still feel that I haven’t even scratched the surface of what the MET has to offer me. I had been looking forward to the Winogrand exhibit for a similar reason: He is known for photographing New York City in the 1950’s-1970’s, and I thought I could absorb some yen for more New York City outings from his work.
Winogrand photographed mostly public scenes, and was considered a “street photographer”. Many of his photographs were shot with a wide angle lens, meaning much more content could be squeezed into the frame. He also shot photos constantly, racking up an amazing number of negatives that he left largely unedited and unprinted, but some previously unprinted shots are being displayed in this exhibit alongside some of his more well-known pictures. If you’re interested in photography, history, politics, fashion, or enjoy people-watching, you won’t be disappointed.
One very striking thing about the exhibit is that these photos feel so contemporary. The almost frantic pace at which the world seems to be moving and changing around the one moment of the shutter clicking to capture a single image. Reviews of the exhibit in the New York Times and New York Magazine both point out the similarities between Winogrand’s work 50 years ago, with our own social media culture, in which people compulsively and constantly are photographing the world around them, daily happenings that capture their attention can be captured and shared via facebook, twitter, and instagram. Our own culture of social media has perhaps taught us to appreciate Winogrand’s talent for capturing public, fleeting, and ordinary moments and showing their beauty, their joy, their sadness, their significance, their restlessness. So while my own late-August yearnings and anxieties may not have been entirely put to bed, at least I found respite for a day in the galleries, finding comfort in the companionship of other restless strangers.
Bluestocking’s Outing Details:
Garry Winogrand at the Metropolitan Museum of Art
Showing through September 21st.
More info here.